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By
the Light of the Moon
Over
the last 25 years, Ellis has painted the moon's light over land
and ocean. This book contains a select group of these very popular
paintings, many of which include the moonlit Atlantic off the
Carolina coast, and the marshes and creeks of the Southeast's
Lowcountry.
HARDCOVER: 10 x 12 in
108 pages; 92 color plates; 8 B/W Illustrations
Essay by Valerie Ann Leeds, Ph.D.
Published in 2007
Signed
by Ray Ellis
$40 |
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Lowcountry
Ray Ellis continues to
paint the Southeastern United States lowcountry that he knows
so well. With an introduction by art historian Valerie Ann Leeds,
94 paintings by Ray Ellis are reproduced in this book. From
oyster roasts, to moonlit marshes, and back rivers; Ellis has
painted his experience of the unique landscape of the lowcountry.
A reference list of the paintings and a select chronology of
Ellis' career is included.
Hardcover: 10 X 12 inches
120 Pages, 94 Color Plates & 7 b&w photos.
Signed
by Ray Ellis
$42
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Ray
Ellis Paints Flowers
This beautiful book is
a compilation of Ray’s paintings that feature flowers
and gardens spanning the past three decades. Ray Ellis Paints
Flowers also includes an essay by noted art historian Valerie
Ann Leeds, Ph. D., whose writings were also featured in both
Lowcountry and Ray Ellis in Retrospect: A Painter’s
Journey. This colorful
“coffee table book” will make a wonderful gift for
any occasion.
Hardcover: 10" x 11"
156 Pages & 124 Color Plates
$45
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The
Charleston Renaissance
The Charleston Renaissance chronicles this dynamic period (1920–1945)
of modern southern history, detailing the artistic legacy of
native and national artists whose collective image making led
to Charleston's transformation from a faded southern port city
to a premier tourist destination. Martha Severens, an art historian,
curator, and former Charleston resident, introduces readers
to the city's traditions and lore, and delineates their impact
on the art of the day. Through her examination of major local
figures of the period, such as Alfred Hutty, Alice Ravenel Huger
Smith, Anna Heyward Taylor, and Elizabeth O'Neill Verner, and
of visiting artists—including Birge Harrison, Childe Hassam,
Edward Hopper, and Lilla Cabot Perry—Severens expands
upon existing scholarship, adding new depth and dimension to
both the period and the place. Ultimately, by connecting the
artistic advances in Charleston to the greater American art
scene, Severens brings clarity to the "ancient, beautiful"
city's vital role in southern art and American regionalism.
Hardcover: 10" x 11"
216 Pages & 93 Illustrations
$65
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Imprinting
the South
Southern
Printmakers and Their Images of the Region 1920s – 1940s
By: Lynn Barstis Williams
This book outlines the history of printmaking in the South,
its rise in popularity, its variations from region to region,
the different methods embraced by printmakers, the growth of
the print society movement, the influence of social realism
and other movements. Williams also reviews the motifs, imagery,
and subject matter that predominated in the work of many southern
printmakers. This catalog of 60 entries on printmakers of importance
includes a wealth of information and illustrations on each printmaker.
Hardcover: 12 ¼ x 9 ½
211 Pages
32 Black and White & 38 Color Illustrations
Published in 2007
$39.95 |
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Noisette
Roses
Published
by the Charleston Horticultural Society and is believed to be
the first publication on Noisette Roses in America. The Noisette
Rose was named after Philippe Noisette who was the first Director
of the Charleston Botanical Society in 1808. It was developed
by John Champneys on his plantation south of Charleston, near
Ravenel, South Carolina.
Softcover: 8" x 8"
96 Pages
$17
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